On days like we live in, cold, wet, rainy winter in the end After all, one likes to see a comforting kind of film that makes you feel good, alive, sitting on his couch, covered with a blanket and sharing a steaming cup of tea with the heat to stoke Inside, oblivious to what happens outside their particular world where time has stopped for a few hours.
is how, this past week, I saw again all the films of Marc Recha .
Throughout my years spent as a film fan, the fact that Marc Recha take out a new movie, has always been a joy for me. Cameo
That removes a pack with all his films, should be cause for joy for all lovers of good cinema, eager for new and inspiring dishes with which to feed their hungry cinephile.
The film Marc Recha , in which fiction and autobiographical references intertwine and blur their boundaries, is indebted to the way we understand the movie was Bresson (with the perfect way to spend the off-field ), like the world is indebted to the Paul Klee painting and Bauhaus among others. One of his films is like a lonely island near the broad and emerging film to rough seas, with its own voice and personal, make a kind of film whose essence is the spaces and characters that move in them. This form of filmmaking, these films give us Recha , we could delimit within the movement neonaturalista (and also viewed by managers as well as patriotic José Luis Guerin or Cesc Gay ).
His films, sensitive, fragile, seemingly hieratic, introverted, dramatic, pseudodocumental, delicate yet strong, possesses a clear vision and particular landscape (both natural and industrial) and is both literally, as metaphor and mutable, entering land memory as if they were roads can be busy. That way, almost always, the protagonist travels to "suffer" a change in his personality and his way of seeing the world, whether the transition to maturity, or overcoming the loss of someone close.
Another factor that makes the film Recha something special, is that facility that is, a gift that allows you to make everyday something different, something wonderful and magical indeed, as a fable (in this respect , to make the everyday something special, would also highlight the work of Rebollo the vital "Women without piano ).
The Pack Marc Recha that was mentioned at the beginning of this text, contains his films up Heaven, The cherry tree, Pau and his brother, the empty-handed days of August and Indi Petit, each more exquisite and evocative. Once
seen all together, one can not but understand that Recha been known since the beginning of his career he wanted to do. One can not but surrender to his Masters and admire your work, which does not fail any part and everything fits perfectly in a wheel that neither begins nor ends, only tour in the magical sense of life. Turn to
Recha it. Feel many things and also not dizzy.
is how, this past week, I saw again all the films of Marc Recha .
Throughout my years spent as a film fan, the fact that Marc Recha take out a new movie, has always been a joy for me. Cameo
That removes a pack with all his films, should be cause for joy for all lovers of good cinema, eager for new and inspiring dishes with which to feed their hungry cinephile.
The film Marc Recha , in which fiction and autobiographical references intertwine and blur their boundaries, is indebted to the way we understand the movie was Bresson (with the perfect way to spend the off-field ), like the world is indebted to the Paul Klee painting and Bauhaus among others. One of his films is like a lonely island near the broad and emerging film to rough seas, with its own voice and personal, make a kind of film whose essence is the spaces and characters that move in them. This form of filmmaking, these films give us Recha , we could delimit within the movement neonaturalista (and also viewed by managers as well as patriotic José Luis Guerin or Cesc Gay ). His films, sensitive, fragile, seemingly hieratic, introverted, dramatic, pseudodocumental, delicate yet strong, possesses a clear vision and particular landscape (both natural and industrial) and is both literally, as metaphor and mutable, entering land memory as if they were roads can be busy. That way, almost always, the protagonist travels to "suffer" a change in his personality and his way of seeing the world, whether the transition to maturity, or overcoming the loss of someone close.
Another factor that makes the film Recha something special, is that facility that is, a gift that allows you to make everyday something different, something wonderful and magical indeed, as a fable (in this respect , to make the everyday something special, would also highlight the work of Rebollo the vital "Women without piano ). The Pack Marc Recha that was mentioned at the beginning of this text, contains his films up Heaven, The cherry tree, Pau and his brother, the empty-handed days of August and Indi Petit, each more exquisite and evocative. Once
seen all together, one can not but understand that Recha been known since the beginning of his career he wanted to do. One can not but surrender to his Masters and admire your work, which does not fail any part and everything fits perfectly in a wheel that neither begins nor ends, only tour in the magical sense of life. Turn to
Recha it. Feel many things and also not dizzy.
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